{"version":"1.0","provider_name":"Maioliche Padovani","provider_url":"https:\/\/www.maiolichepadovani.com\/english","author_name":"LaSi","author_url":"https:\/\/www.maiolichepadovani.com\/english\/author\/LaSi\/","title":"The Raphaelesque (Second half of the 16th Century) - Maioliche Padovani","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GRDOFv9wSQ\"><a href=\"https:\/\/www.maiolichepadovani.com\/english\/prodotti\/raphaelesque-second-half-of-the-16th-century\/\">The Raphaelesque (Second half of the 16th Century)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.maiolichepadovani.com\/english\/prodotti\/raphaelesque-second-half-of-the-16th-century\/embed\/#?secret=GRDOFv9wSQ\" width=\"600\" height=\"338\" title=\"&#8220;The Raphaelesque (Second half of the 16th Century)&#8221; &#8212; Maioliche Padovani\" data-secret=\"GRDOFv9wSQ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.maiolichepadovani.com\/english\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Decorative pattern inspired by the grotesque painting used by Raffello in the frescoes of Vatican rooms. It is made up of minute subjects such as panoplies, puttoes, chimaeras, and trophies of ancient arms, musical instruments and festoons, with a slight use of shoots. Whilst polychrome, the dominant colours are yellow and dark brown on a very white background (Urbino Raphaelesque) or on a blue background (Faenza Raphaelesque).","thumbnail_url":"https:\/\/www.maiolichepadovani.com\/english\/wp-content\/uploads\/2012\/11\/bollino-qualita-ceramiche-di-faenza1.jpg"}